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Since 2022 I’ve interviewed people working in the creative industries to better understand how the work happens. I tease out insights to help veterans and newbies alike learn how they might advocate for better pay, better creative practice, conditions, and more fulfilling and meaningful work.
I also contribute to the D&AD Annual, which explores how award-winning is made (from start the finish).
This work is commissioned by content editor Laura Havlin and editor Mads Chowdhury.
Since 2022 I’ve interviewed people working in the creative industries to better understand how the work happens. I tease out insights to help veterans and newbies alike learn how they might advocate for better pay, better creative practice, conditions, and more fulfilling and meaningful work.
I also contribute to the D&AD Annual, which explores how award-winning is made (from start the finish).
This work is commissioned by content editor Laura Havlin and editor Mads Chowdhury.
Aurélia Durand wants illustrators to be their own biggest cheerleaders — and charge more
The Illustration Jury President emphasises the importance of knowing how much money you need for your creative practice to thrive. Illustration by Lauren Morsley
Beyond buzzwords: protecting real change in the face of greenwashing
The Impact Jury President on how purpose-driven ideas rely on people doing the “hard work in the dark”. Illustration by Lauren Morsley